Showing posts with label etiquette. Show all posts
Showing posts with label etiquette. Show all posts

Sunday, April 12, 2015

Etiquette Then--and Now

 
As I wrote my novel Love of the Summerfields, which is set in an English manor house--and after being a Downton Abbey fanatic since Mary and Edith first argued--I became aware of the details and delicacies of proper etiquette. 

ETIQUETTE:  The act of behaving in an utterly proper way so you won't get your hand slapped or be shunned from the members of society who made up the rules which are almost impossible to follow.

Here are some gems from The Essential Handbook of Victorian Entertaining (adapted by Autumn Stephens) with a few asides from me.

• Do not dress above your station; it is a grievous mistake, and leads to great evils, besides being the proof of a complete lack of taste. So we're to dress down? I hardly think "slovenly" would be appreciated.

• Do not expose the neck and arms at a dinner party. These should be covered, if not by the dress itself, then by lace or muslin overwaist. How about a nice plaid stadium blanket?

• Do not fail to try the effect of your dress by gaslight and daylight both. Many a color that may look well in daylight may look extremely ugly in gaslight. But facial lines and wrinkles look marvelous!

• When a gentleman is invited out for the evening, or when he hosts an evening entertainment himself, he is under no embarrassment as to what he shall wear. The unvarying uniform is black pants, waistcoat, and jacket, with white tie, shirt, and gloves. How about jeans and a tee-shirt? Or the ever popular khakis and a polo shirt?

• Prior to the dinner party, the hostess will acquaint herself with the social standing of each guest. If necessary, she may consult a reference volume, such as Who's Who. She then pairs each gentleman guest with a lady guest of equivalent social status. Does consulting Facebook and You Tube count?

• A few well-chosen words of praise for any dish that you happen to know is a matter of pride to your hostess will be well received. As a rule, however, the fewer remarks about your food, the better. Rub a dub dub, thanks for the grub? Or how about "These Doritos are simply divine!"

• Do not hesitate what to take when a dish is passed to you. Nothing displays a lack of breeding more than not to know your own mind in trifles. Trifles? Is that in the same family as truffles?

• Do not refuse to take the last piece of bread of cake; it looks as though you imagined there might be no more. Hey now. If the plate's empty in my house, there ain't no more. And the last slice is mine.

• Do not carry anything like food with you from the table. Anything "like" food? I suppose a doggie bag is out of the question.

• Never leave the table before the end of the dinner, unless from urgent necessity. I won't go there.

• Young ladies seldom drink more than three glasses of wine at dinner; but married ladies who are engaged in a profession, such as authors and teachers, and those accustomed to society and the habits of affluence, will habitually take five or even six, whether in their own home or at the tables of their friends. Who are these winos? And who's the designated driver?

• Do not wear gloves at the table. I wouldn't think of it. I can't lick my fingers with gloves on.

• Be moderate in the quantity you eat. You impair your health by overloading the stomach, and render yourself dull and stupid for hours after the meal. Which gives you no out for being dull and stupid during the meal. And since the antidote for overeating is napping, I'm all for it.



All kidding aside, I grieve the loss of manners and etiquette. Baseball hats in restaurants incense me and I want to kiss any man who holds a door open for me. Actually, nowadays we need a new set of rules:

• No phone calls or texts while driving or dining. Or while in line. And if you can't talk on a cell phone without shouting, go outside.

• No tank tops on men. Ever. And especially not at a meal.

• Regarding gum: no popping, clicking, chomping, or blowing bubbles. And if I can see it in your mouth when you talk, you're toast.

• Never (ever) bring a full sized pillow on a plane.

• Unless you are a toddler, never (ever) wear pajama pants in public--including on a plane.

• If "muffin-top" applies to your figure, do not wear skin-tight tops or show skin. Even if you're skinny don't show me your midriff.

  • Leggings are not pants, and need a blouse or top that is long enough to cover your bottom.  If your top doesn't touch the tops of your legs, it's too short to wear with leggings.


  • • Flip-flops don't belong in church.

    • Thank you notes are still necessary. Whether emailed or snail-mailed, say thank you. Your mama will be so proud.

    • If you must have music blasted into your brain every second of the day, get those headphones that keep it to yourself. Earbuds aren't private and secondary music is annoying. And BTW, if you have music blasted into your brain every second of the day, your brain has no chance to think a real thought. Think about it.  Or try to.

    My list was longer than I thought it would be (and could be longer.) What are some of your etiquette requests?//Nancy Moser

    Friday, November 18, 2011

    The Resurgence of the Fan

    
    Nancy with parasol at Colosseum
     We went to Europe this summer, and one of our stops was Italy.  I adore Europe and have visited a dozen times, but they don't do air conditioning the way we Americans are used to air conditioning.  I know we're spoiled.  I admit it.  And actually, much of the time we weren't inside, but outside.  Walking around Rome or Venice or Florence in 103-degree heat made us melt like gelato on the pavement. 
    
    I don't do heat.  My favorite temperature is 60--with clouds (I should live in Seattle.)  Other than searching for a breeze, or hunting out shade, I discovered two things that saved me.  A parasol and a fan.  Fantastico!
     
    Honestly, I cannot imagine walking around any American city with either, but in Europe I didn't feel foolish at all.  And strolling through Rome's Forum, or waiting to ascend the Eiffel Tower, they helped me survive the heat. 
    Woman with Parasol by Renoir
    

    It made me wonder why we've abandoned the parasol and fan.  The parasol probably went by the wayside because we now embrace having a tan.  But a hundred years ago, having porcelain skin revealed breeding.  Only people who worked for a living had tanned skin.  So I'll surrender the parasol--even though I don't do tans either.
    
    But... the fan... 
     
    Lady with a Fan by Aviat
    
    Being a woman of a certain age, who goes through her own personal heat waves, I've started using one of two pretty fans I bought in Florence and at Ford's Theatre in Washington D.C.  Yes, I receive a few odd looks, but I don't mind. It's far more elegant than fanning my flash with a menu or page of coupons.

    In my research, I learned there was a Language of the Fan, where women could say secret things to the men in their lives by the flip of their fan.  Fanning with the right hand in front of your face meant "Follow me." Fanning with your left hand meant, "Don't flirt with that woman." Slowly fanning yourself meant, "Don't waste your time, I don't care about you."  While quickly fanning yourself meant, "I love you so much." 

    Lady with a Fan by James Tissot
    Yikes, would I be in big trouble!  Because I tend to fan with both hands (as one hand gives out) and at different speeds depending on the outer--and my inner--thermometer.  Any man who was trying to understand my fan-language would run in the other direction--with good cause. No wonder men complain that they can't understand women.

    Which leads to a bigger question:  did men really understand this special, intricate language?  Not to disparage the other sex, but I've noticed that most men I know don't pay attention to what a woman is wearing, if their hair is worn up or down, or even if they wear glasses, much less notice whether the woman runs her fingers over the fan's ribs (meaning "I want to talk to you") or carries the fan closed with the left hand (meaning "I'm engaged.")  Sorry, but it ain't going to happen.  
    
    Lady with a Fan by Mary Cassatt
    
    Either men have changed drastically over the centuries, or the whole Language of the Fan is something women created and talked about amongst their friends, while the men never caught on.  Or if a rare one did . . . I bet he was very popular.
      
    Also, there's the secrecy thing... why did they feel the need to be secret?  For instance, if you wanted to say goodbye to some man, why not go up to him and say goodbye, or even wave from across the room.  But saying goodbye in fan-speak, by placing the fan behind your head with a finger extended . . .  Goodness sakes. 

    Besides, if every lady in the room knew the language, there wasn't much secrecy in it.  Imagine a room full of women all gesturing with their fans.  It would be like an opera when everyone sings their own line at the same time. Or the sideline of a football game, when the coaches are all gesturing frantically to get their play in.  Ha.  Women with fans were certainly getting their play in!

    There is one message I could use on occasion: passing the fan from hand to hand means, "I see that you are looking at another woman."  But I've found that clearing the throat, or an elbow in the ribs works just as well.

    For cooling purposes, and even as a fashion accessory, I'm all for the resurgence of the fan.  But for everyone's sake, let the language die.//Nancy

    Thursday, November 11, 2010

    Mr. Society

    Who was Ward McAllister?

    An article in "Vanity Fair" in 1889 asked this very question. It said he was the life of the party. He was a well-traveled man who made it a point to take note of what was the best in wining, dining, and entertaining. He learned the ways of society in Europe and came back to the United States an expert. He was Mr. Society--19th century style.


    He was largely responsible for making Newport, RI, the summer mecca of the rich. When he began going there in the 1850’s, it was mainly comprised of rich Southern families. Few Northerners were a part of the Newport elite. People waited for McAllister to get there so the fun could begin. “Wait until McAllister comes. He will make it lively.”

    From the start, McAllister was big into keeping the gates of society tightly guarded. Regarding Newport society: “Now do not for a moment imagine that all were indiscriminately asked to these little fetes. On the contrary, if you were not of the inner circle, and were a newcomer, it took the combined efforts of all your friends’ backing and pushing to procure an invitation for you. For years, whole families sat on the stool of probation, awaiting trial and acceptance, but many were then rejected, but once received, you were put on an intimate footing with all. To acquire such intimacy in a great city like New York would have taken you a lifetime.” Soon he would be thickly enmeshed in that New York society…


    Ward was one of those people who could get a party going and keep it going. In Newport, friends would say to him that they didn’t care about other people’s fancy dinners, but wouldn’t think of missing one of his Newport picnics. He’d often arrange them on a whim, asking a key person for a date, asking what their favorite food was, then drive through Newport, stopping his friends in their carriages, telling them about the picnic date, and getting them to bring some food item. Sometimes he even charged people $20. Yet people paid the price because McAllister always did it up right. He was the king of pleasure. He also was wise enough to say, “There is no society without ladies.” I agree completely.

    During the Civil War he stayed away from Newport. “It wasn’t in good form to entertain while the trouble was going on.” The Civil war = "the trouble".  What an understatement. He returned after the war and took up his old position as leader of Newport society. Then he moved his ambition to New York City. He became friends with Mrs. Caroline Astor (the Mrs. Astor) and the two of them bound together to create their version of New York society. In Europe, aristocracy gained their place because of blood lines, but in America, many wealthy people were demanding a place in society by earning their way to prominence. Blue-bloods looked down at new-bloods, the nouveau riche. And yet…there was an acknowledgement that things in America couldn’t be run the same way as they were in Europe. But how to do it?

    McAllister offered the idea that those who were wealthy could share a likeness within their class—a class consciousness that would unite the best of the best. Mrs. Astor worked with McAllister to “set up a screening system to keep the right people in, and the wrong ones—new money, tradesmen, Jews, divorcees and the like—out.” (Hermione Lee in Edith Wharton.) Those who are fans of Edith Wharton’s Age of Innocence will see McAllister in the character of Sillerton Jackson, who appears as the go-to guy regarding correct form and manners.


    In 1872, McAllister and Mrs. Astor created the Society of the Patriarchs, a group of 25 “men of worth, respectability, and responsibility”. These were the people with the power, the ones who would help create an American high society. Each year they gave the Patriarch ball. Each member was given nine invitations—five for men, and four for women. They would submit their guest list to McAllister, who would okay it. Obviously, an invitation to this event was highly sought after, and if you were invited to it—and other events—you would thereby cement your position in the higher eschelon of society.

    But then McAllister made a blunder. He talked to a reporter for the “New York Tribune”: “There are only about four hundred people in fashionable New York Society. If you go outside that number you strike people who are either not at ease in a ballroom or make other people not at ease ... who have not the poise, the aptitude for polite conversation, the polished and deferential manner, the infinite capacity of good humor and ability to entertain or be entertained that society demands.”
    McAllister telling Uncle Sam he needs to
    be like an English Gentleman
    
    This drew the line in the societal sand. You were either in. Or out. (see blog next week on “The Four Hundred”.) It also showcased McAllister as the keeper of the list—which didn’t even exist at the time. It was created three years later, and only contained 319 names.

    Even though McAllister ran among the richest people in America, he never earned more than a modest income. But he did marry well to heiress Sarah Gibbons. Her father had a steamboat grant from Robert Fulton (inventor of the steamboat) and derived $25,000-30,000 annually from wharf property in New York City. In today's dollars, that would be $625,000-750,000. Not too shabby. And yet something must have happened to that money because he never lived as though he was wealthy. He just ran with those who were.


    He was the ultimate event-planner. For 90-minutes every morning he would hold court to society’s queens and offer them advice for their parties. He could labor over the wording in an invitation or the correct placement of the flowers. One time, some ladies got angry with him, thinking he was giving preferential treatment to so-and-so’s daughters over their own, and tried to put on a cotillion without him. It was a failure.

    Mrs. McAllister did not appear in society and was an invalid, cared for by their daughter, Louise. McAllister would have weekly dinners at his house, but only for six guests, and only attended by Louise and himself as hostess and host. They were not society fetes, but small intimate gatherings in his simple house at 16 East Sixteenth St.

    He was not what you would expect. He was not a dandy, wearing fancy clothes. He was middle aged, five foot-ten, weighing 200 pounds. He was balding. What he offered was knowledge of how to entertain well. His way became the way.

    But sometimes he got cocky.  He often shared his opinion that New York society was better than society in any other American city. When Chicago held the World’s Columbian Exposition in 1893, McAllister commented that if hostesses in Chicago wanted to be taken seriously they needed to hire French chefs and "not frappé their wine too much." I love the response from the "Chicago Journal": "The mayor will not frappé his wine too much. He will frappé it just enough so the guests can blow the foam off the tops of the glasses without a vulgar exhibition of lung and lip power. His ham sandwiches, sinkers, and ... pigs' feet, will be triumphs of the gastronomic art." So there, Ward.

    He also raised the ire of Bostonians when he disparaged their young ladies: “They are good scholars, but poor sweethearts. There are, of course, instances when young Boston ladies really do fall in love, but it is of a classical sort which would make the society young man of New York rather uncomfortable.” (June 17, 1894.) He goes on to berate their fashion sense, saying their first concern is whether they can afford a dress. Apparently, the true fashionistas of New York society never bothered to ask that question. If you ask me, it sounds like the young ladies of Boston owned a good deal of common sense, that the dandies in New York didn’t deserve! You can see why McAllister angered people. If you were within his inner circle he was a dear. But otherwise? He was wicked in his assessments, casting you off as inferior.

    But then, he finally went too far. In 1890, he wrote his memoirs in a book called Society as I Have Found It, where he detailed his life, his experiences in Europe where he received his education in etiquette, as well as his version of various events in society. He told of his desire to be a part of society and even revealed his glee when he finally became the man who counseled the same. New York society was not amused.

    By the 1890’s, McAllister was a quaint old man with old-fashioned ideas; a man who'd written a tell-all book that had told too much of the celebrities of the day—the wealthy. He died alone at a restaurant. In an article in the "New York Times" about his death, one society gentleman is quoted as saying, "Poor McAllister! What a pity it is he wrote a book!"//Nancy Moser